Myrel Chernick

  • Home
  • About
  • Installations
    • Punchdrunk
    • Dangling Participles
    • Domestic Interventions
    • She was, she wasn’t
    • Your Hands Are Tied
    • A Room Full of Women
    • Woman Mystery/Femme Mystère
    • Don’t Make Waves
    • Parts of Speech
    • Surprise
    • Opposite
    • Halfway there
    • Chills
    • She Paused
    • Blue Grotto
    • 1976
  • Videotapes
    • Dangling Participles
    • Esprit d’escalier
    • Sam Tanya 17
    • Out my window
    • She and I
    • Mommy Mommy
    • She was, she wasn’t
    • She was, she wasn’t French version
  • Images
    • Trees
    • Maps
    • Water
    • Shadow forms
    • In the city
    • Unfurling
    • Photographs
  • Texts
    • Mapping the Maternal: Art, Ethics and the Anthropocene
    • The M Word
    • Maternal Metaphors catalog
    • Time Passes
    • Living With Cobwebs
    • The Studio Visit
  • Contact
  • Home
  • About
  • Installations
    • Punchdrunk
    • Dangling Participles
    • Domestic Interventions
    • She was, she wasn’t
    • Your Hands Are Tied
    • A Room Full of Women
    • Woman Mystery/Femme Mystère
    • Don’t Make Waves
    • Parts of Speech
    • Surprise
    • Opposite
    • Halfway there
    • Chills
    • She Paused
    • Blue Grotto
    • 1976
  • Videotapes
    • Dangling Participles
    • Esprit d’escalier
    • Sam Tanya 17
    • Out my window
    • She and I
    • Mommy Mommy
    • She was, she wasn’t
    • She was, she wasn’t French version
  • Images
    • Trees
    • Maps
    • Water
    • Shadow forms
    • In the city
    • Unfurling
    • Photographs
  • Texts
    • Mapping the Maternal: Art, Ethics and the Anthropocene
    • The M Word
    • Maternal Metaphors catalog
    • Time Passes
    • Living With Cobwebs
    • The Studio Visit
  • Contact
  • circles1

  • Mommy Mommy

Myrel Chernick received her MFA from the School of the Art Institute of Chicago after having moved to New York to participate in the Whitney Museum Independent Study Program. Influenced by the conceptual art she saw around her, she sought to combine her love of literature and writing with light-filled installations. She began adding short phrases to her installations in 1977, influenced by Marguerite Duras, her austere but sensuous language, and her focus on the spaces between the words. Living in New York, Chernick has continued to work with projections and multimedia installations, single channel video and photography, taken a detour to raise twins, curated exhibitions on motherhood, edited The M Word: Real Mothers in Contemporary Art, and expanded her writing to include longer text/image works. She is currently writing and illustrating a hybrid novel that takes place in her favorite city, Paris.